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Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews, and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics. At its extremes (which is the extreme middle and not the blunt ‘cutting edge’) the authors attempt to produce every song in their development of an all-encompassing pop music concept, peculiarly called Toast theory. In attempting to unite the pragmatic collaborative patterns of Vera John-Steiner with philosophical postmodernist concepts of connection, Coproduction has something to offer readers interested in the traditional workings of teams of producers, as well as those seeking to understand the wider philosophy of collaboration in music production.
This is a digital product.
Additional ISBNs
9780815362555, 9781351111959, 9781351111942, 9781351111928
Coproduction: Collaboration in Music Production 1st Edition is written by Robert Wilsmore; Christopher Johnson and published by Routledge. The Digital and eTextbook ISBNs for Coproduction are 9781351111935, 1351111930 and the print ISBNs are 9780815362531, 0815362536. Additional ISBNs for this eTextbook include 9780815362555, 9781351111959, 9781351111942, 9781351111928.
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